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David duChemin on Constraints

David duChemin [http://davidduchemin.com/2013/07/the-power-of-constraint/]: > “We need constraints. They force our hands creatively, and while many advocate embracing constraints, I suggest we go one better and create them.” Exactly. Our brains are set up to avoid the pain of creativity and embrace simple, painless and bland

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"Visual Journalism" in the Instagram Era

An interview with “Photography Theorist” Fred Ritchin in Mother Jones [http://www.motherjones.com/media/2013/07/bending-the-frame-fred-ritchin-photojournalism-instagram] get details about his new book, “Bending the Frame: Photojournalism, Documentary, and the Citizen,” and his views on the state of photojournalism: > “There is enormous need for professionals who know how

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Photography is an Act, Not a Profession

Being able to please a client and being able to capture images you’re proud of are two very different things. Making interesting images with a DSLR and making interesting images with your phone are not two very different things. Telling a captivating story without a client or a journalism

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Is Total Automation the Future of Cameras?

Yep. That’s always been the goal. And, it may serve artists particularly well. Jason Kottke gives his take [http://kottke.org/13/07/the-era-of-constant-photography] on some recent articles about how a next generation camera might work: > “You hold the camera in front of something, take a video or

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Support Your Local Photographer

A few recent posts have me thinking about support among photographers. From Stella Kramer [http://www.stellakramer.com/2013/06/24/support-shouldnt-it-be-a-two-way-street/] (via A Photo Editor [http://www.aphotoeditor.com/2013/07/08/support-shouldn%E2%80%99t-it-be-a-two-way-street/] ): > “Have you contributed to other photographer’s projects? As much as I

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Does Gear Add to the Enjoyment of Photography?

Question: (edited for length) “For most of us, photography is a hobby. I suspect, when it comes to many people, the gear provides a lot of the enjoyment of photography. Isn’t that what it’s supposed to be about as amateur photography - enjoyment? The other thing I haven’

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Photography is Not About Technique

Alex Furman [https://medium.com/click-the-shutter/9cfbf7aea1f0] writes about why everyone can and should practice photography: > “Photography, mostly, is not about technique. It requires technique, but technique is also the easy part and it; alone, won’t get you anywhere.” I’ve spent the last month devouring technique-related photography

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Live First

The BBC reports [http://www.bbc.co.uk/news/uk-22999245] on a trend brought up years ago in the A Lesser Photographer Manifesto: > “The habit of taking photographs, usually with our phones, of anything and everything is everywhere - instead of enjoying things or engaging in them, there is

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Why Our Photos Are So Forgettable

From Ian Brown [http://m.theglobeandmail.com/life/humanity-takes-millions-of-photos-every-day-why-are-most-so-forgettable/article12754086/?service=mobile] (via @docdez [https://twitter.com/docdez]): > “This spring, I was an adjudicator of the 2013 Banff Mountain Film and Book Festival photography competition. This week, my three fellow judges – all professional photographers and curators – and I announced

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The Perfect Explanation for the Proliferation of Bad Professional Photography

Digging through some quotes I had stored in Evernote, I found this little gem in a tough love article [http://blog.penelopetrunk.com/2009/02/06/how-to-build-a-career-as-an-artist/#] for artists looking to go pro: > “The only difference between artists making money and artists not making money is that the first